“[Andrew] Dadson has developed a practice in which the traditional limits of the canvas are crossed, blurred, and questioned. This iconoclastic stance, however, is not merely a formal one, or a way of simply making the next move in the chess match of endgames that has come to define painting as a historical genre. Rather, the driving force of the work posits that the objects and discourses that we have come to associate with painting are not nearly as familiar or discrete as we think.” – FabrikLA
